Mood and Lighting

The Movie starts off with bright, warm colours and has the movie progresses and night falls, the maroons and red with turn to purples and blues. It is the same with the light. At first the light coming from outside is blinding, and then soft, until it is night and then we will be using colours to make it appear dark without making the viewer unable to see anything.

I have the wonderful chance to collaborate with Yonathan Galvan Ponce de Leon on lighting, background, and composition in shadows and everything else to make the 3D and the 2D look like they work as one.

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